Should a “Fictionfactory” peepshow be barred from a festival on “Truth and Reality”? Diederik Stapel says no (rejected post)

photo-on-9-17-14-at-9-49-pm1So I hear that Diederik Stapel is the co-author of a book Fictionfactory (in Dutch,with a novelist, Dautzenberg)[i], and of what they call their “Fictionfactory peepshow”, only it’s been disinvited at the last minute from a Dutch festival on“truth and reality” (due to have run 9/26/14), and all because of Stapel’s involvement. Here’s an excerpt from an article in last week’s Retraction Watch (article is here):*

Here’s a case of art imitating science.

The organizers of a Dutch drama festival have put a halt to a play about the disgraced social psychologist Diederik Stapel, prompting protests from the authors of the skit — one of whom is Stapel himself.

According to an article in NRC Handelsblad:

The Amsterdam Discovery Festival on science and art has canceled at the last minute, the play written by Anton Dautzenberg and former professor Diederik Stapel. Co-sponsor, The Royal Netherlands Academy of Arts and Sciences (KNAW), doesn’t want Stapel, who committed science fraud, to perform at a festival that’s associated with the KNAW.

FICTION FACTORY

The management of the festival, planned for September 26th at the Tolhuistuin in Amsterdam, contacted Stapel and Dautzenberg 4 months ago with the request to organize a performance of their book and lecture project ‘The Fictionfactory”. Especially for this festival they [Stapel and Dautzenberg] created a ‘Fictionfactory-peepshow’.

“Last Friday I received a call [from the management of the festival] that our performance has been canceled at the last minute because the KNAW will withdraw their subsidy if Stapel is on the festival program”, says Dautzenberg. “This looks like censorship, and by an institution that also wants to represents arts and experiments”.

Well this is curious, as things with Stapel always are. What’s the “Fichtionfactory Peepshow”? If you go to Stapel’s homepage, it’s all in Dutch, but Google translation isn’t too bad, and I have a pretty good description of the basic idea. So since it’s Saturday night,let’s take a peek, or peep (at what it might have been)…

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Here we are at the “Truth and Reality” Festival: first stop (after some cotton candy): the Stapel Fictionfactory Peepshow! It’s all dark, I can’t see a thing. What? It says I have to put some coins in a slot if I want to turn turn him it on (but that they also take credit cards). So I’m to look down in this tiny window. The curtains are opening!…I see a stage with two funky looking guys– one of them is Stapel. They’re reading, or reciting from some magazine with big letters: “Fact, Fiction and the Frictions we Hide”.

Stapel and Dautzenberg

Stapel and Dautzenberg

STAPEL: Welkom.You can ask us any questions! In response, you will always be given an option: ‘Do you want to know the truth or do you want to be comforted with fictions and feel-good fantasy?’

“Well I’ve brought some data with me from a study in social psychology. My question is this: “Is there a statistically significant effect here?”

STAPEL:Do you want to know the truth or do you want to be comforted with fictions and feel-good fantasy?

“Fiction please”.

STAPEL: I can massage your data, manipulate your numbers, reveal the taboos normally kept under wraps. For a few more coins I will let you see the secrets behind unreplicable results, and for a large bill will manufacture for you a sexy statistical story to turn on the editors.

(Then after the dirty business is all done [ii].)

STAPEL: Do you have more questions for me?

“Will it be published (fiction please)?”

STAPEL: “yes”

“will anyone find out about this (fiction please)?”

STAPEL: “No, I mean yes, I mean no.”

 

“I’d like to change to hearing the truth now. I have three questions”.

STAPEL: No problem, we take credit cards. Dank u. What are your questions?’

“Will Uri Simonsohn be able to fraudbust my results using the kind of tests he used on others? and if so, how long will it take him? (truth, please)?

STAPEL: “Yes.But not for at least 6 months to one year.”

“Here’s my final question. Are these data really statistically significant and at what level?” (truth please)

Nothing. Blank screen suddenly! With an acrid smelling puff of smoke, ew. But I’d already given the credit card! (Tricked by the master trickster).

 

What if he either always lies or always tells the truth? Then what would you ask him if you want to know the truth about your data? (Liar’s paradox variant)

Feel free to share your queries/comments.

* I thank Caitlin Parker for sending me the article

[i]Diederik Stapel was found guilty of science fraud in psychology in 2011, made up data out of whole cloth, retracted over 50 papers.. http://www.nytimes.com/2013/04/28/magazine/diederik-stapels-audacious-academic-fraud.html?pagewanted=all&_r=0

Bookjacket:

defictiefabriek_clip_image002

[ii] Perhaps they then ask you how much you’ll pay for a bar of soap (because you’d sullied yourself). Why let potential priming data go to waste?  Oh wait, he doesn’t use real data…. Perhaps the peepshow was supposed to be a kind of novel introduction to research ethics.

 

Some previous posts on Stapel:

 

Categories: Comedy, junk science, rejected post, Statistics | 5 Comments

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5 thoughts on “Should a “Fictionfactory” peepshow be barred from a festival on “Truth and Reality”? Diederik Stapel says no (rejected post)

  1. Steven McKinney

    Do we just further enable this poor sociopath, who so craves the limelight, by twittering even one more comment or idea about him?

    • Steven: That nearly kept me from blogging on him–that is why it is “a rejected post”, but bloggers are permitted an occasional “rejected post” especially if it deals with the general topic of the blog, as this one does. And then there’s the fact that I have an absurdist philosophical side, and found it amusing to contemplate. He really and truly was prepared to take questions, so why not about data?

      I don’t really think he’s some sociopath, not that I have any credentials in that area. I think he actually feels there is value in discussing or contemplating why some/many people gravitate toward feel-good fictions. I’m not sure just what value. The thing is, these people invited him, so it may be a cultural difference in the Netherlands. i don’t know, maybe in the U.S. he’d be offered a realityTV show.

  2. Steven McKinney

    Or a position in the Psychology group at the hospital that hired Anil Potti.

    Perhaps he’s a psycopath, perhaps a new xxx-o-path crying for a new definition.

    When someone lies as hard and long as he did, I really have no time to listen to sounds that emanate from the regions near his head – they’re just sounds with no meaning.

    If he volunteered to partake in medical studies, wherein serious scientists could try to dissect his biochemistry and understand the physiology of why such people are compelled to such dishonesty, I’d listen to them. So I agree that there is value in the contemplation and discussion of why some people gravitate towards feel-good fictions, I just would find no value in having that conversation with one of the perpetrators.

    Going to see him in a performance would to me feel like going to a freak show at a carnival, to gawk at some misfortunate soul. I think the KNAW may have seen his purported performance in this light.

    • Steven: I’m glad you bring this up because as you know he is mentioned on retraction watch, on Gelman’s blog, etc. and I am a newbie to blogging, and sometimes wonder at what point something goes beyond a general interest in pseudoscience and data fraud. I take Stapel’s position to be that the tendency is not so rare as we think. Then again, he’s always said he had a postmodern conception of truth (e.g., in the NY Times article). He was so good at telling people what they want to hear. You’re right about the peep-show becoming a kind of freak show with him in it, and thus one really wonders why in the world he’d want to do it. He feels he’s being unfairly censored, and that the incident represents a stifling of an open discussion. But how can he expect to be taken seriously when he couches the discussion in terms of a “peepshow” with all its seedy connotations?

  3. As for a question to ask him if he either always lies or always tells the truth, in order to find out if your data are statistically significant (assuming he knows):

    “If I asked you if my data were statistically significant would you say yes?”

    If he’s always lying then a yes answer means he’d really answer no, but since he’s lying that means the true answer is yes.

    If he’s always telling the truth, then a yes answer means yes.

    therefore, whether he’s always lying or always telling the truth, a yes answer means, yes (that your data are, or he believes they are, statistically significant).

    Likewise with a no answer.

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